Category Archives: Artists

Sculpture in the City

My former studio-mate, Amanda Lwin, is one of the artists in this year’s Sculpture in the City and led a tour for Nocturnal Creatures, the arts festival organised by Whitechapel Gallery so here are a few pictures of her work with some of the others we saw.

Her piece, A Worldwide Web of Somewheres is in Leadenhall Market Photo by Caroline BanksPhoto by Caroline Bankswhere you can also find I’m Staying by Shaun C Badham.Photo by Caroline BanksThe Adventurer by Gabriel Lester thoughtfully includes seating  Photo by Caroline BanksMichail Pirgelis sliced a section of an Airbus 300 for his piece UNIVRS  Photo by Caroline Banksthen we came across Tracey Emin’s Your Lips Moved Across My Face hidden away in a narrow alley. Photo by Caroline BanksThese were only a few so visit the website to see more.

East Wall – Storm The Tower, directed by Hofesh Schechter

I know it’s a sign of climate change – I’ve even stopped checking my weather app – but I do love it when you can plan an evening out and know it’ll be warm and dry. This was the case for East Wall at the Tower of London, part of LIFT festival.

Photo by Caroline Banks

A collaboration between East London Dance,  Hofesh Shechter Company, Historic Royal Palaces and LIFT ,   the evening celebrated the variety and diversity of East London.                          Hofesh Schechter’s trademark percussion instruments stood at the back of the stage, Photo by Caroline Banksready to accompany the different young amateur dancers. One of my favourite pieces was Three, choreographed by Duwane Taylor (I’m a fan of Krump.)Photo by Caroline BanksThere were 6 pieces in all, exploring migration,  the immigrant experience and the history of East LondonPhoto by Caroline BanksPhoto by Caroline Banksculminating with an exuberant  finale where the Band of the Irish Guards joined the other performers in the moat.Photo by Caroline BanksPhoto by Caroline Banksall overlooked by a sole archer and the ever-present plane passing overhead.Photo by Caroline Banks

Mark-making workshop by Modern Eccentrics at Cass Art

Ever keen to learn new skills I signed up recently for a workshop run by Ross and Jonny of ModernEccentrics at Cass Art where we learned about making our own brushes and ink.

Here are some of Ross’s beautiful brushes – these are not actually intended for use.
Photo by Caroline Banksand the trolley selection of materials to make our own.Photo by Caroline BanksAnother trolley set up for ink production Photo by Caroline Bankswith avocado ink on the boilPhoto by Caroline BanksHere’s my first attempt at brush-making: a multi-branched combo that began disintegrating almost immediately with use as you can see.Photo by Caroline BanksIt has to be said I was quite hard on them so once I’d broken off the limbs drew exuberant dancers using a concentrate of oak gall inkPhoto by Caroline BanksPhoto by Caroline BanksContact Modern Eccentrics for info on more of their courses.

Ilhwa Kim at The House of Fine Art

A new art gallery has recently opened in the West End of London, The House of Fine Art (or HOFA for short). I went along there recently and saw these works by Ilhwa Kim. Photo by Caroline Banks Each little piece of mulberry paper is hand dyed and rolled up into a “seed”. some contain messages (never to be read) giving each picture hidden stories. The process is highly labour intensive and could be viewed as obsessional – my take on it is that it is a meditative, almost ritualistic activity, creating worlds and landscapes to be viewed initially from above but then explored from any direction.Photo by Caroline Banks Photo by Caroline Banks Photo by Caroline Banks Photo by Caroline BanksYou can easily lose yourself in these pieces. Photo by Caroline Banks Photo by Caroline Banks

The Florence Trust’s 2018 summer show

As it says on its website, The Florence Trust provides a dynamic mentoring programme and studio residency in London for twelve international artists each year. Each residency programme lasts for 12 months and is a real lifeline for artists to develop their practice in  London.

I went along to the summer exhibition private view in the atmospheric  decommissioned church tucked away in Aberdeen Park, which also houses the studios. Not all the artists  are represented here as it was too dark for some of my photos. Visit the website for information and click on the artist’s links to learn more about their work and concerns.

Francisca Prieto – work with paper and metal

The Chilean artist Francisca Prieto is someone whose work I have followed for several years now, having first spotted her along with her impressive storage cabinet at Cockpit Arts during an open studio visit.

Photo from Uppercase Magazine

She works with metal as well as paper, bending and folding her materials from 2 dimensions to 3. It isn’t just the aesthetics, strong as they are, that appeal to me: the ritualistic and repeated activity is meditative; her aim to record and reinterpret something redundant and unwanted into something desirable, to breathe new life into paper, moves me.


All photos (unless otherwise indicated) are from her website as I couldn’t find any decent ones from my own archives.

Events from Block Universe

I hadn’t come across Block Universe, London’s leading international performance art festival, before but, after hearing about it through word of mouth, attended a couple of events – see photos below and links for more info.

“You would almost expect to find it warm”, by Laura Wilson, took place at the British Museum in connection with the current Rodin and the art of Ancient Greece exhibition. Rodin modelled in clay before carving in marble hence the use of dough which shares many qualities with clay. Watching these performers moving slowly amongst the visitors over a period of time was quite  meditative.

Photo by Caroline BanksPhoto by Caroline BanksPhoto by Caroline BanksPhoto by Caroline Banks

“Allusion to a body no longer present” by Tyler Eash and Sara Rodrigues , one of the satellite events, was held at St Giles Cripplegate with a script derived from interviews with members of the Swiss Church congregation on the significance of self, search for meaning, and remembrance after death. Some statements were very poignant with the evocative imagery well suited to such a venue.

Photo by Caroline Banks Photo by Caroline Banks Photo by Caroline Banks

Shape of Light at Tate Modern

I often enjoy going to exhibitions unprepared as that can give me a cleaner sensory experience than having read reviews; such was the case for The Shape of Light at Tate Modern.

There is something about Minimalism that resonates deeply and here are some of the pieces that stood out for me: part of  Alison Rossiter’s  expired photography paper seriesPhoto by Caroline Banks Photo by Caroline BanksBarbara Kasten’s cyanotypes Photo by Caroline Banks Photo by Caroline Banks Edward Ruscha’s parking lot photos next to Carl Andre’s Steel Zinc PlainPhoto by Caroline Banks

Black by Inge Dick  (the people and shapes are all reflections)Photo by Caroline BanksOne of Jay Defeo’s Untitled pieces Photo by Caroline BanksJohn Hilliard’s Seven Representations of White (with more reflections)Photo by Caroline Banksand, seen at the end, Thomas Ruff’s massively scaled virtual photogramsPhoto by Caroline Banks Photo by Caroline Banks

 

Tacita Dean – Landscape at the Royal Academy

The inaugural exhibition in the new Gabrielle Jungels-Winkler Galleries at the Royal Academy is LANDSCAPE, one of the three concurrent London exhibitions by Tacita Dean. I wasn’t quite sure what to expect but was really impressed by the scale and sensitivity of the work shown. Zooming in and out is an essential part of the experience (I use those terms deliberately).

Here’s a view through to The Montafon Letter, a huge chalk drawing on blackboard of a mountain (there’s a bit more to it than just that).  Photo by Caroline BanksMajesty, one of a series of works on paper from 2016Photo by Caroline Banks

Cloud drawings, also from 2016,  in front of her collection of round stones.Photo by Caroline BanksI really liked the contrast of jade reflected in the glass frame of this massive print Quarantania.Photo by Caroline BanksHer film Antigone is also on show – I wasn’t able to see all of it so will complete the experience on my next visit.

Raw Materials at the Nunnery Gallery, Bow Arts.

East London has a rich and varied textile history for manufacturing and  innovation which this exhibition, at The Nunnery Gallery, Bow Arts,  examines.

Photo by Caroline BanksThe invention of the first synthetic dye, mauveine, by William Perkin took place at his family home in Shadwell  and brought the colour purple to the masses Photo by Caroline Banksand wood block printing by R.E. Littler for Liberty of London took place in the Lea Valley.Photo by Caroline BanksContemporary creativity still abounds in the East End with current work by artists and designers including London College of Fashion student Isabella Dunne’s “Raw Pressed” digital printPhoto by Caroline Banksand Sarah Desmarais’ fashion prints as well as Photo by Caroline Banks Photo by Caroline Banks Freya Gabie’s Chatham rope and spun golden thread piece  90,000 miles across the sunPhoto by Caroline BanksPhoto by Caroline Banks

Back to the history, I just had to include the compact spinning wheel Mahatma Gandhi brought for his 3 month trip to England in 1931 during which time he was based in Bromley by Bow. 
Photo by Caroline Banks